{"id":19858,"date":"2024-01-15T16:48:00","date_gmt":"2024-01-15T15:48:00","guid":{"rendered":"https:\/\/beautytherapy.absolution-cosmetics.com\/?p=19858"},"modified":"2024-04-16T17:45:45","modified_gmt":"2024-04-16T15:45:45","slug":"s-comme-synthetiseurs","status":"publish","type":"post","link":"https:\/\/beautytherapy.absolution-cosmetics.com\/fr\/bien-etre\/contempler_le_beau\/s-comme-synthetiseurs\/","title":{"rendered":"S comme Synth\u00e9tiseurs\u00a0"},"content":{"rendered":"
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Ces objets, ressemblant \u00e0 des bo\u00eetes, sont manipul\u00e9s par les musiciens \u00e0 travers des boutons et, dans le cas des claviers, ces m\u00eames boutons commandent d’autres syst\u00e8mes.\u202f <\/p>\n

Si ces formes rationnelles, n\u00e9es de la rencontre entre les math\u00e9matiques, la physique et la musique, peuvent sembler froides et m\u00e9caniques, la chaleur et l’humanit\u00e9 qui se d\u00e9gagent de leur utilisation peuvent \u00eatre sans \u00e9gal. \u202f <\/p>\n

Tout comme les math\u00e9matiques, qui sont un moyen de comprendre notre monde, la musique nous permet d\u2019exprimer l\u2019indicible par une forme abstraite et fugace. Il est fort possible qu\u2019elle soit apparue avant le langage.\u202f <\/p>\n

De ce besoin vital sont n\u00e9s des outils, la sophistication des instruments, la musique est devenue une affaire de sp\u00e9cialistes. Nous avons explor\u00e9 toutes les frictions de l\u2019air (qui produisent les sons) par notre souffle, en frottant, en frappant ou en pin\u00e7ant. <\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/section>\r\n\n\n\r\n

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Mais en parall\u00e8le, d\u00e8s l\u2019Antiquit\u00e9, on retrouve les traces d\u2019automates musicaux. En 1959, le musicologue Alexander Buchner raconte, dans son livre\u202fVom Glockenspiel zum Pianola, \u00ab Jouer d\u2019un instrument de musique demande toujours une certaine habilet\u00e9 et un certain don musical qui ne sont pas \u00e0 la port\u00e9e de tout le monde. C\u2019est pourquoi, depuis les temps les plus anciens, l\u2019humanit\u00e9 a souhait\u00e9 et tent\u00e9 de m\u00e9caniser les techniques de jeu et aussi de construire un instrument de musique qu\u2019on puisse ma\u00eetriser sans avoir ni adresse particuli\u00e8re ni formation musicale pr\u00e9alable. \u00bb <\/p>\n

Les synth\u00e9tiseurs sont la continuation de cette recherche ancestrale. D\u00e8s le d\u00e9but du vingti\u00e8me si\u00e8cle, des artistes quittent le champ des instruments traditionnel pour de nouvelles exp\u00e9rimentations sonores : g\u00e9n\u00e9rateurs \u00e9lectriques, concerts de chemin\u00e9es d\u2019usine, h\u00e9lices d\u2019avions, objets cass\u00e9s, collages, violons \u00e0 \u00e9lectrophones, pianos pr\u00e9par\u00e9s, orgues de barbarie\u2026 <\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/section>\r\n\n\n\r\n

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Apparaissent alors les premiers instruments \u00e9lectroniques qui cherchent \u00e0 reproduire des sons classiques. Le plus remarquable est le Theremin. Sublime par sa musicalit\u00e9 mais aussi par sa forme. Son design exploite pleinement le potentiel de cette nouvelle technologie et s\u2019affranchit totalement des codes classiques de l\u2019instrument de musique en changeant la gestuelle. <\/p>\n

Ce divorce entre classicisme et free-music est une r\u00e9appropriation populaire (bien qu\u2019encore \u00e9litiste) de ce besoin fondamental de s\u2019exprimer par les sons tout comme \u00e0 la pr\u00e9histoire. En effet c\u2019est une reconnexion avec cet instinct primaire, non plus en frottant des \u00e9corces, des rochers ou en soufflant dans des os mais avec des outils contemporains. <\/p>\n

Une nouvelle br\u00e8che est ouverte. D\u00e9sormais l\u2019\u2019instrument \u00e9lectronique apporte une vari\u00e9t\u00e9 infinie de sons. Les musiciens s\u2019en emparent, non plus pour rivaliser de virtuosit\u00e9, mais pour saisir l\u2019insondable profondeur de l\u2019existence et de nos mondes. L\u2019abstraction sonore, la perte de rep\u00e8res instrumentaux et la simplicit\u00e9 d\u2019acc\u00e8s permettent \u00e0 certains artistes de cr\u00e9er des \u0153uvres puissantes et nouvelles. <\/p>\n

Des Residents \u00e0 Lucio Battisti, Brian Eno ou Kraftwerk, cette musique synth\u00e9tique d\u2019une immense sensibilit\u00e9 touche \u00e0 l\u2019intemporel. <\/p>\n <\/div>\r\n <\/div>\r\n <\/div>\r\n <\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":30,"featured_media":19885,"comment_status":"closed","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[995,1187],"tags":[1197],"class_list":["post-19858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bien-etre","category-contempler_le_beau","tag-design"],"acf":[],"yoast_head":"\nS comme Synth\u00e9tiseurs\u00a0 - Beauty Therapy<\/title>\n<meta name=\"description\" content=\"Ces objets, ressemblant \u00e0 des bo\u00eetes, sont manipul\u00e9s par les musiciens \u00e0 travers des boutons et, dans le cas des claviers, ces m\u00eames boutons commandent d'autres syst\u00e8mes.\u202f\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/beautytherapy.absolution-cosmetics.com\/fr\/bien-etre\/contempler_le_beau\/s-comme-synthetiseurs\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"S comme Synth\u00e9tiseurs\u00a0 - 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Cette recherche passe par le travail de la mati\u00e8re et par des solutions innovantes qu\u2019il met au point pour faire perdurer l\u2019histoire des marques avec qui il choisit de travailler. Ces projets pens\u00e9s dans leur ensemble, prennent en compte l\u2019histoire qui se cache derri\u00e8re les marques et les personnes qui les font vivre, tout en gardant en t\u00eate les contraintes industrielles, cr\u00e9ant ainsi une recherche de l\u2019excellence. Que ce soit un v\u00e9lo pour les Jeux Olympiques, une cage oc\u00e9anographique qui descend \u00e0 4000m de profondeur, ou du mobilier, il donne a chacun de ces projets une importance essentielle et cr\u00e9\u00e9 ainsi des objets justes, fonctionnels, p\u00e9rennes et intemporels. 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