{"id":5065,"date":"2020-11-30T12:03:24","date_gmt":"2020-11-30T11:03:24","guid":{"rendered":"https:\/\/beautytherapy.absolution-cosmetics.com\/?p=5065"},"modified":"2024-03-04T14:40:09","modified_gmt":"2024-03-04T13:40:09","slug":"a-comme-archet","status":"publish","type":"post","link":"https:\/\/beautytherapy.absolution-cosmetics.com\/fr\/bien-etre\/a-comme-archet\/","title":{"rendered":"A comme Archet"},"content":{"rendered":"
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Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret<\/a>, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. Selon lui, au-del\u00e0 des modes et des statuts, ils embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. A travers cette s\u00e9lection subjective, sous la forme d\u2019un ab\u00e9c\u00e9daire, Patrick a la volont\u00e9 d’explorer leurs dimensions cach\u00e9es qui en font des pi\u00e8ces uniques, intemporelles et essentielles.<\/strong> D\u00e9butons aujourd’hui par le A comme… Archet. <\/strong><\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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La plupart des instruments de musique actuels se jouent directement au contact du corps. Le violon a n\u00e9cessit\u00e9 l’invention d’une proth\u00e8se afin d\u2019imiter les sonorit\u00e9s de la voix humaine. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Fran\u00e7ois Xavier Tourte a consacr\u00e9 sa vie \u00e0 l\u2019am\u00e9lioration de la forme de l\u2019archet. Compar\u00e9 \u00e0 Stradivarius pour les violons, cet archetier Fran\u00e7ais, horloger de formation, avait compris que la qualit\u00e9 d\u2019un bon archet d\u00e9pendait avant tout du bois utilis\u00e9. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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L\u2019archet moderne est donc n\u00e9, sous ses doigts, au XVIII\u00e8me si\u00e8cle gr\u00e2ce \u00e0 l\u2019utilisation du Pernambouc (Caesalpinia echinata) pour la fabrication des baguettes, un arbre \u00e0 la croissance lente qui pousse sur les c\u00f4tes du Br\u00e9sil aux sols sablonneux ou argileux. Tourte choisit son bois pour ses caract\u00e9ristiques uniques (densit\u00e9, robustesse, \u00e9lasticit\u00e9). La mati\u00e8re premi\u00e8re \u00e0 contribu\u00e9 \u00e0 faire \u00e9voluer la technique instrumentale tout comme le carbone dans le domaine du cycle. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Branche de Pernambouc<\/figcaption><\/figure>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n
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L\u2019archet est un objet humble. Son excellence r\u00e9side en grande partie dans la qualit\u00e9 du bois et sa mise en forme. Bien plus que le violon, il tire de son concentr\u00e9 de contraintes une forme d\u2019intemporalit\u00e9. Le bon archet traverse l\u2019\u00e9preuve du temps avec la m\u00eame souplesse. Il est le lien entre l\u2019intention et le son, dispara\u00eet entre les doigts pour ne laisser\u202f que les vibrations sonores. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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\u00c0 l’instar d\u2019un katana, sabre Japonais, le ch\u00e2ssis de l\u2019archet est sa fonction premi\u00e8re. Il n\u2019y a pas de capotage, pas de pi\u00e8ce d\u00e9corative qui n\u2019ait un r\u00f4le essentiel.\u202f Cette fusion entre performance et beaut\u00e9 repr\u00e9sente un absolu.\u202f <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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De la mati\u00e8re travaill\u00e9e na\u00eet la structure qui devient sa forme. Au contact d\u2019un tel objet, on en apprend un peu plus sur ce que signifie performance. Combien d\u2019ann\u00e9es de recherches, d\u2019apprentissage pour arriver \u00e0 une telle ma\u00eetrise avec du peu ? <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Mais pour faire na\u00eetre la magie sonore du violon l\u2019arche de bois est associ\u00e9e \u00e0 d\u2019autres formes et mat\u00e9riaux : \u00e9b\u00e8ne, nacre, argent, crin de cheval. Chaque mat\u00e9riau est \u00e0 sa place. Enfin, la beaut\u00e9 de l\u2019archet vient aussi du rituel. La pr\u00e9paration qui n\u00e9cessite de tendre le crin et de l\u2019enduire de r\u00e9sine (la colophane). Le petit doigt qui cr\u00e9e le contrepoids sur le tendeur, le pouce cal\u00e9 dans la douce concavit\u00e9 d\u2019\u00e9b\u00e8ne et la pointe qui \u00e9quilibre le geste pour que la touche soit pr\u00e9cise, r\u00e9active.\u202f <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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En plus du plaisir de l’\u0153il et de l’ou\u00efe s\u2019ajoute celui de l\u2019odorat avec l\u2019odeur de sapin qui s\u2019en d\u00e9gage. Il est courant, de nos jours, de gommer dans les objets les stigmates d\u2019une \u00e8re m\u00e9canique. Mais leur beaut\u00e9 n\u2019est elle pas li\u00e9e \u00e0 cette complexit\u00e9 savante et \u00e0 la connaissance qu\u2019on en a ?\u202f <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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L\u2019interdiction d\u2019exploitation du bois de Pernambouc en 2007 est le drame des archetiers. Depuis deux cent ans personne n\u2019a trouv\u00e9 de substitut et les exp\u00e9rimentations en composite n\u2019ont pu concurrencer ce mat\u00e9riau naturel.\u202f <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Continuez cette d\u00e9couverte de la Beaut\u00e9 des objets avec le B comme Bicyclette !<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>","protected":false},"excerpt":{"rendered":"

Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. Selon lui, au-del\u00e0 des modes et des statuts, ils embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. A travers cette s\u00e9lection subjective, sous la forme d\u2019un ab\u00e9c\u00e9daire, Patrick a la volont\u00e9 d’explorer […]<\/p>\n","protected":false},"author":30,"featured_media":5075,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[995,1187,1012,1013],"tags":[1197],"class_list":["post-5065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bien-etre","category-contempler_le_beau","category-notre-actualite","category-rencontres","tag-design"],"acf":[],"yoast_head":"\n"A comme Archet" par Patrick Jouffret - Beauty Therapy<\/title>\n<meta name=\"description\" content=\"Les objets embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. 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Cette recherche passe par le travail de la mati\u00e8re et par des solutions innovantes qu\u2019il met au point pour faire perdurer l\u2019histoire des marques avec qui il choisit de travailler. Ces projets pens\u00e9s dans leur ensemble, prennent en compte l\u2019histoire qui se cache derri\u00e8re les marques et les personnes qui les font vivre, tout en gardant en t\u00eate les contraintes industrielles, cr\u00e9ant ainsi une recherche de l\u2019excellence. Que ce soit un v\u00e9lo pour les Jeux Olympiques, une cage oc\u00e9anographique qui descend \u00e0 4000m de profondeur, ou du mobilier, il donne a chacun de ces projets une importance essentielle et cr\u00e9\u00e9 ainsi des objets justes, fonctionnels, p\u00e9rennes et intemporels. 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Cette recherche passe par le travail de la mati\u00e8re et par des solutions innovantes qu\u2019il met au point pour faire perdurer l\u2019histoire des marques avec qui il choisit de travailler. Ces projets pens\u00e9s dans leur ensemble, prennent en compte l\u2019histoire qui se cache derri\u00e8re les marques et les personnes qui les font vivre, tout en gardant en t\u00eate les contraintes industrielles, cr\u00e9ant ainsi une recherche de l\u2019excellence. Que ce soit un v\u00e9lo pour les Jeux Olympiques, une cage oc\u00e9anographique qui descend \u00e0 4000m de profondeur, ou du mobilier, il donne a chacun de ces projets une importance essentielle et cr\u00e9\u00e9 ainsi des objets justes, fonctionnels, p\u00e9rennes et intemporels. Aujourd\u2019hui install\u00e9 \u00e0 Toulon, Patrick Jouffret et son \u00e9quipe collaborent avec des entreprises aux secteurs d\u2019activit\u00e9s tr\u00e8s vari\u00e9s et re\u00e7oivent r\u00e9guli\u00e8rement des r\u00e9compenses pour leurs cr\u00e9ations. Retrouvez la Beauty Interview de Patrick juste ici Partick Jouffert is a French designer born in Nancy (France) in 1972. He founded Atelier 360 in 2006. Through design, he wants to create objects that free the mind. This wish goes through the work of material and finding innovative solutions that he develops in order to perpetuate the history of the brands which he chooses to work with. Those projects thought as a whole, consider the history behind brands and the people who bring them to life while keeping the industrial constraints in mind, creating a real quest of excellence. 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