{"id":5606,"date":"2021-01-31T00:39:39","date_gmt":"2021-01-30T23:39:39","guid":{"rendered":"https:\/\/beautytherapy.absolution-cosmetics.com\/?p=5606"},"modified":"2024-03-04T14:45:03","modified_gmt":"2024-03-04T13:45:03","slug":"c-cadre-piano","status":"publish","type":"post","link":"https:\/\/beautytherapy.absolution-cosmetics.com\/fr\/bien-etre\/c-cadre-piano\/","title":{"rendered":"C comme Cadre de piano"},"content":{"rendered":"
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Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret<\/a>, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. Selon lui, au-del\u00e0 des modes et des statuts, ils embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. A travers cette s\u00e9lection subjective, sous la forme d\u2019un ab\u00e9c\u00e9daire, Patrick a la volont\u00e9 d’explorer leur dimension cach\u00e9e qui en font des pi\u00e8ces uniques, intemporelles et essentielles.<\/strong> Apr\u00e8s notre d\u00e9couverte de l’histoire de la bicyclette, nous continuons cette s\u00e9rie avec la lettre C comme Cadre de Piano !<\/strong><\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Par sa taille et son poids, le piano \u00e0 queue s\u2019est impos\u00e9 en tant que meuble et son esth\u00e9tique a suivi les tendances d\u00e9coratives des salons de son temps.\u202f Du piano forte de Cristofori aux r\u00e9cents mod\u00e8les de Pleyel on peut deviner leur \u00e9poque \u00e0 travers leur style : la forme du coffre, la taille des pieds et des supports de p\u00e9dales, les d\u00e9tails des bordures ou du porte partition, les ornements et d\u00e9coration des flancs ou la finition du bois.\u202f <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Piano forte de Cristofori<\/em><\/figcaption><\/figure>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n
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Mais \u00e0 l\u2019int\u00e9rieur du coffre, on d\u00e9couvre une intemporelle beaut\u00e9 : le cadre en fonte.<\/strong> N\u00e9 avec le romantisme, il a permis de gagner de la puissance sonore et de mieux r\u00e9sister au temps. Le fait qu\u2019il soit masqu\u00e9 a pouss\u00e9 ses concepteurs \u00e0 se concentrer sur l\u2019essentiel. D\u00e9finir l\u2019architecture id\u00e9ale pour g\u00e9rer les tensions ph\u00e9nom\u00e9nales et les r\u00e9sonances en fonction de la mati\u00e8re choisie. Anticiper les d\u00e9formations du refroidissement lors de la fabrication et s\u2019adapter \u00e0 la forme du coffre, chaque choix de forme ou d\u2019\u00e9videment ayant pour but d\u2019all\u00e9ger au mieux la structure. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Cette beaut\u00e9 qui s\u2019ignore t\u00e9moigne \u00e9galement de la modernit\u00e9 des techniques \u00e0 une \u00e9poque encore roucoulante. Deux visions du monde qui cohabitent au sein de l\u2019instrument.\u202f L\u2019une tourn\u00e9e vers la repr\u00e9sentation, l\u2019apparence et l\u2019autre vers la performance et la science. La robe et le ch\u00e2ssis. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Le fait est que des ann\u00e9es plus tard, on est frapp\u00e9s par la modernit\u00e9 de ces formes d\u00e9pourvues d\u2019intentions stylistiques. Le bon design est aussi peu \u201c<\/em>design\u00e9<\/em>\u201d<\/em> que possible\u2026.Bien s\u00fbr les artisans avaient le go\u00fbt du bel ouvrage et soignaient les finitions des ch\u00e2ssis mais ils n\u2019avaient pas la responsabilit\u00e9 de flatter. Ainsi les tensions de formes ne se retrouvent pas enjoliv\u00e9es ou radicalis\u00e9es. Elles sont trait\u00e9es avec justesse. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Cadre en fonte<\/em><\/figcaption><\/figure>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n
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Les rayons (arrondis des ar\u00eates et des formes) sont r\u00e9gis par des besoins de renforcement. Les d\u00e9coupes parfois tranch\u00e9es sont op\u00e9r\u00e9es pour guider la r\u00e9sonance ou gagner du poids (all\u00e9ger le cadre sans perdre en efficience). En g\u00e9n\u00e9ral seules la typographie de marque en relief et la silhouette induite par le cadre en bois attestent de leur temps.\u202f <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Peter S. Stevens <\/em>dans son livre Les formes dans la nature<\/em> nous prouve que les formes et structures qui nous entourent sont \u00e9trangement limit\u00e9es.<\/strong> Un nuage de lait dans un expresso ressemble \u00e0 la forme d\u2019une galaxie, les fleuves et leurs ramifications sont g\u00e9n\u00e9r\u00e9s par la m\u00eame logique que nos art\u00e8res et nos veines.\u202f De ces limitations proviennent l\u2019harmonie et la beaut\u00e9 du monde naturel.\u202f <\/strong><\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Les barres de tension du cadre de fonte sont comme les branches de l\u2019arbre qui vont en s\u2019amincissant \u00e0 partir du tronc pour d\u00e9ployer les feuilles et capter le plus de lumi\u00e8re possible. Une v\u00e9rit\u00e9 cosmique que l’on peine \u00e0 comprendre est l\u00e0 devant nos yeux.\u202f Peut-\u00eatre appara\u00eet-elle lorsque nous cessons de souhaiter cr\u00e9er la beaut\u00e9 et laissons nos mains \u00eatre guid\u00e9es par la puret\u00e9 math\u00e9matique.\u202f <\/strong><\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>","protected":false},"excerpt":{"rendered":"

Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. Selon lui, au-del\u00e0 des modes et des statuts, ils embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. A travers cette s\u00e9lection subjective, sous la forme d\u2019un ab\u00e9c\u00e9daire, Patrick a la volont\u00e9 d’explorer […]<\/p>\n","protected":false},"author":30,"featured_media":5610,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[995,1187,1012,1013],"tags":[1197],"class_list":["post-5606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bien-etre","category-contempler_le_beau","category-notre-actualite","category-rencontres","tag-design"],"acf":[],"yoast_head":"\n"C comme Cadre de piano" par Patrick Jouffret - Beauty Therapy<\/title>\n<meta name=\"description\" content=\"Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. 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Cette recherche passe par le travail de la mati\u00e8re et par des solutions innovantes qu\u2019il met au point pour faire perdurer l\u2019histoire des marques avec qui il choisit de travailler. Ces projets pens\u00e9s dans leur ensemble, prennent en compte l\u2019histoire qui se cache derri\u00e8re les marques et les personnes qui les font vivre, tout en gardant en t\u00eate les contraintes industrielles, cr\u00e9ant ainsi une recherche de l\u2019excellence. Que ce soit un v\u00e9lo pour les Jeux Olympiques, une cage oc\u00e9anographique qui descend \u00e0 4000m de profondeur, ou du mobilier, il donne a chacun de ces projets une importance essentielle et cr\u00e9\u00e9 ainsi des objets justes, fonctionnels, p\u00e9rennes et intemporels. Aujourd\u2019hui install\u00e9 \u00e0 Toulon, Patrick Jouffret et son \u00e9quipe collaborent avec des entreprises aux secteurs d\u2019activit\u00e9s tr\u00e8s vari\u00e9s et re\u00e7oivent r\u00e9guli\u00e8rement des r\u00e9compenses pour leurs cr\u00e9ations. Retrouvez la Beauty Interview de Patrick juste ici Partick Jouffert is a French designer born in Nancy (France) in 1972. He founded Atelier 360 in 2006. Through design, he wants to create objects that free the mind. This wish goes through the work of material and finding innovative solutions that he develops in order to perpetuate the history of the brands which he chooses to work with. Those projects thought as a whole, consider the history behind brands and the people who bring them to life while keeping the industrial constraints in mind, creating a real quest of excellence. Whether it's a bicycle designed for the Olympic Games, an oceanographic cage that goes at 4000m deep, or furniture, he gives each of these projects essential importance and thus creates objects that are functional, perennial and timeless. Today based in Toulon, Patrick Jouffret and his team, work with companies in a wide variety of sectors and regularly receive awards for their creations. 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Cette recherche passe par le travail de la mati\u00e8re et par des solutions innovantes qu\u2019il met au point pour faire perdurer l\u2019histoire des marques avec qui il choisit de travailler. Ces projets pens\u00e9s dans leur ensemble, prennent en compte l\u2019histoire qui se cache derri\u00e8re les marques et les personnes qui les font vivre, tout en gardant en t\u00eate les contraintes industrielles, cr\u00e9ant ainsi une recherche de l\u2019excellence. Que ce soit un v\u00e9lo pour les Jeux Olympiques, une cage oc\u00e9anographique qui descend \u00e0 4000m de profondeur, ou du mobilier, il donne a chacun de ces projets une importance essentielle et cr\u00e9\u00e9 ainsi des objets justes, fonctionnels, p\u00e9rennes et intemporels. Aujourd\u2019hui install\u00e9 \u00e0 Toulon, Patrick Jouffret et son \u00e9quipe collaborent avec des entreprises aux secteurs d\u2019activit\u00e9s tr\u00e8s vari\u00e9s et re\u00e7oivent r\u00e9guli\u00e8rement des r\u00e9compenses pour leurs cr\u00e9ations. Retrouvez la Beauty Interview de Patrick juste ici Partick Jouffert is a French designer born in Nancy (France) in 1972. He founded Atelier 360 in 2006. Through design, he wants to create objects that free the mind. This wish goes through the work of material and finding innovative solutions that he develops in order to perpetuate the history of the brands which he chooses to work with. Those projects thought as a whole, consider the history behind brands and the people who bring them to life while keeping the industrial constraints in mind, creating a real quest of excellence. Whether it's a bicycle designed for the Olympic Games, an oceanographic cage that goes at 4000m deep, or furniture, he gives each of these projects essential importance and thus creates objects that are functional, perennial and timeless. Today based in Toulon, Patrick Jouffret and his team, work with companies in a wide variety of sectors and regularly receive awards for their creations. 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