{"id":6107,"date":"2021-03-16T00:51:35","date_gmt":"2021-03-15T23:51:35","guid":{"rendered":"https:\/\/beautytherapy.absolution-cosmetics.com\/?p=6107"},"modified":"2024-12-09T08:36:39","modified_gmt":"2024-12-09T07:36:39","slug":"e-encrier","status":"publish","type":"post","link":"https:\/\/beautytherapy.absolution-cosmetics.com\/fr\/bien-etre\/e-encrier\/","title":{"rendered":"E comme Encrier"},"content":{"rendered":"
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Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret<\/a>, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. Selon lui, au-del\u00e0 des modes et des statuts, ils embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. A travers cette s\u00e9lection subjective, sous la forme d\u2019un ab\u00e9c\u00e9daire, Patrick a la volont\u00e9 d’explorer leur dimension cach\u00e9e qui en font des pi\u00e8ces uniques, intemporelles et essentielles.<\/strong> Apr\u00e8s la lettre D (comme Dessous de Plat), place \u00e0 la lettre E… comme Encrier !<\/strong><\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Cet objet est un encrier traditionnel Marocain, dont les origines remontent \u00e0 plusieurs si\u00e8cles. Il est en c\u00e9ramique<\/a> recouverte d\u2019une gla\u00e7ure verte et consiste en un regroupement concentrique de tubes autour d\u2019un autre cylindre, plus large et plus haut, dont le sommet \u00e9vas\u00e9 sert de poign\u00e9e. Le nombre de variations autour de ce principe est surprenant, on les surnomme polygodets.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Du fait que la fabrication de ces encriers \u00e9tait destin\u00e9e aux enlumineurs,  la r\u00e9partition des \u00e9l\u00e9ments, leur quantit\u00e9 et leur taille \u00e9voluent selon le nombre de couleurs utilis\u00e9es. C\u2019est avec l\u2019avenement de l\u2019islam que l\u2019enluminure persane connait une grande \u00e9volution. Des centres d\u2019enseignement sont mis en place et l\u2019ornementation du Coran devient une pratique courante. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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On imagine que ces objets furent fabriqu\u00e9s en masse et pens\u00e9s pour \u00eatre fonctionnels : prendre le moins de place possible sur l\u2019\u00e9critoire, \u00eatre \u00e9quilibr\u00e9, \u00eatre portatif et avoir la contenance n\u00e9cessaire. Un peu comme le mobilier scolaire ou le stylo bic.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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L\u2019\u00e9pure formelle et d\u00e9corative de ce mod\u00e8le est rare. La plupart de ces encriers sont \u00e9galement d\u00e9coratifs, repr\u00e9sentatifs de savoirs faire r\u00e9gionaux et orn\u00e9s de motifs ou repr\u00e9sentant des miniatures architecturales.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Si on le regarde de haut, sa forme est rationnelle et radicale. Il n\u2019y a pas de mati\u00e8re superflue et la silhouette suit parfaitement le pourtour de chaque r\u00e9ceptacle \u00e9voquant un agglutinement d’\u0153ufs de grenouille autour d\u2019un roseau, de bulles ou de mol\u00e9cules.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Dans l\u2019univers tout tend vers le d\u00e9sordre. Les formes organis\u00e9es, structur\u00e9es et sym\u00e9triques nous renvoient \u00e0 cette id\u00e9e de l\u2019ordre primordial.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Paul Val\u00e9ry<\/a> nous parle de cette attraction myst\u00e9rieuse dans l\u2019homme et la coquille : \u201ccomme un son pur, ou un syst\u00e8me m\u00e9lodique de sons purs, au milieu des bruits, ainsi un cristal, une fleur, une coquille se d\u00e9tachent du d\u00e9sordre ordinaire dans l\u2019ensemble des choses sensibles\u2026 Ils nous proposent, \u00e9trangement unies, les id\u00e9es d\u2019ordre et de fantaisie, d\u2019invention et de n\u00e9cessit\u00e9, de loi et d\u2019exception ; et nous trouvons \u00e0 la fois dans leur apparence le semblant d\u2019une intention ou d\u2019une action qui les e\u00fbt fa\u00e7onn\u00e9s \u00e0 peu pr\u00e8s comme les hommes savent faire, et cependant l\u2019\u00e9vidence de proc\u00e9d\u00e9s qui nous sont interdis et imp\u00e9n\u00e9trables\u00a0\u00bb.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Le biomorphisme<\/strong>, red\u00e9couvert au XXe si\u00e8cle, serait probablement \u00e0 l\u2019origine de toute cr\u00e9ation humaine.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Si on la sch\u00e9matise, la structure atomique de la c\u00e9ramique est faite de sph\u00e8res agenc\u00e9es g\u00e9om\u00e9triquement en 3 dimensions. La puissance esth\u00e9tique de cet objet provient-il aussi de sa dimension fractale (un agrandissement d\u00e9mesur\u00e9 de l\u2019infiniment petit) ? L\u2019assemblage des tubes et des mol\u00e9cules r\u00e9pondant aux m\u00eames exigences \u00e0 savoir utiliser le moins de mati\u00e8re possible et minimiser le volume de vide entre les \u00e9l\u00e9ments afin d\u2019\u00eatre le plus compact.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Pour les utilisateurs, sa formidable \u00e9pure encourage l’apprentissage et la concentration. Pour nous qui regardons cet objet, il porte en lui le myst\u00e8re d\u2019un usage disparu. Demeure l\u2019\u00e9clatante \u00e9vidence de son design et de son utilit\u00e9.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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On se retrouve la prochaine fois pour d\u00e9couvrir la lettre F comme… Fl\u00fbte ! <\/strong><\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>","protected":false},"excerpt":{"rendered":"

Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. Selon lui, au-del\u00e0 des modes et des statuts, ils embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. A travers cette s\u00e9lection subjective, sous la forme d\u2019un ab\u00e9c\u00e9daire, Patrick a la volont\u00e9 d’explorer […]<\/p>\n","protected":false},"author":30,"featured_media":6109,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[995,1187],"tags":[1197],"class_list":["post-6107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bien-etre","category-contempler_le_beau","tag-design"],"acf":[],"yoast_head":"\n"E comme Encrier" par Patrick Jouffret - Beauty Therapy<\/title>\n<meta name=\"description\" content=\"Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. 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Cette recherche passe par le travail de la mati\u00e8re et par des solutions innovantes qu\u2019il met au point pour faire perdurer l\u2019histoire des marques avec qui il choisit de travailler. Ces projets pens\u00e9s dans leur ensemble, prennent en compte l\u2019histoire qui se cache derri\u00e8re les marques et les personnes qui les font vivre, tout en gardant en t\u00eate les contraintes industrielles, cr\u00e9ant ainsi une recherche de l\u2019excellence. Que ce soit un v\u00e9lo pour les Jeux Olympiques, une cage oc\u00e9anographique qui descend \u00e0 4000m de profondeur, ou du mobilier, il donne a chacun de ces projets une importance essentielle et cr\u00e9\u00e9 ainsi des objets justes, fonctionnels, p\u00e9rennes et intemporels. Aujourd\u2019hui install\u00e9 \u00e0 Toulon, Patrick Jouffret et son \u00e9quipe collaborent avec des entreprises aux secteurs d\u2019activit\u00e9s tr\u00e8s vari\u00e9s et re\u00e7oivent r\u00e9guli\u00e8rement des r\u00e9compenses pour leurs cr\u00e9ations. Retrouvez la Beauty Interview de Patrick juste ici Partick Jouffert is a French designer born in Nancy (France) in 1972. He founded Atelier 360 in 2006. Through design, he wants to create objects that free the mind. This wish goes through the work of material and finding innovative solutions that he develops in order to perpetuate the history of the brands which he chooses to work with. Those projects thought as a whole, consider the history behind brands and the people who bring them to life while keeping the industrial constraints in mind, creating a real quest of excellence. 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Cette recherche passe par le travail de la mati\u00e8re et par des solutions innovantes qu\u2019il met au point pour faire perdurer l\u2019histoire des marques avec qui il choisit de travailler. Ces projets pens\u00e9s dans leur ensemble, prennent en compte l\u2019histoire qui se cache derri\u00e8re les marques et les personnes qui les font vivre, tout en gardant en t\u00eate les contraintes industrielles, cr\u00e9ant ainsi une recherche de l\u2019excellence. Que ce soit un v\u00e9lo pour les Jeux Olympiques, une cage oc\u00e9anographique qui descend \u00e0 4000m de profondeur, ou du mobilier, il donne a chacun de ces projets une importance essentielle et cr\u00e9\u00e9 ainsi des objets justes, fonctionnels, p\u00e9rennes et intemporels. Aujourd\u2019hui install\u00e9 \u00e0 Toulon, Patrick Jouffret et son \u00e9quipe collaborent avec des entreprises aux secteurs d\u2019activit\u00e9s tr\u00e8s vari\u00e9s et re\u00e7oivent r\u00e9guli\u00e8rement des r\u00e9compenses pour leurs cr\u00e9ations. Retrouvez la Beauty Interview de Patrick juste ici Partick Jouffert is a French designer born in Nancy (France) in 1972. He founded Atelier 360 in 2006. Through design, he wants to create objects that free the mind. This wish goes through the work of material and finding innovative solutions that he develops in order to perpetuate the history of the brands which he chooses to work with. Those projects thought as a whole, consider the history behind brands and the people who bring them to life while keeping the industrial constraints in mind, creating a real quest of excellence. Whether it's a bicycle designed for the Olympic Games, an oceanographic cage that goes at 4000m deep, or furniture, he gives each of these projects essential importance and thus creates objects that are functional, perennial and timeless. Today based in Toulon, Patrick Jouffret and his team, work with companies in a wide variety of sectors and regularly receive awards for their creations. 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