{"id":8718,"date":"2022-04-06T15:38:56","date_gmt":"2022-04-06T13:38:56","guid":{"rendered":"https:\/\/beautytherapy.absolution-cosmetics.com\/?p=8718"},"modified":"2024-12-09T08:33:21","modified_gmt":"2024-12-09T07:33:21","slug":"k-comme-kouglof","status":"publish","type":"post","link":"https:\/\/beautytherapy.absolution-cosmetics.com\/fr\/bien-etre\/k-comme-kouglof\/","title":{"rendered":"La Beaut\u00e9 des Objets : K comme Kouglof"},"content":{"rendered":"
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Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret<\/a>, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. Selon lui, au-del\u00e0 des modes et des statuts, ils embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. A travers cette s\u00e9lection subjective, sous la forme d\u2019un ab\u00e9c\u00e9daire, Patrick a la volont\u00e9 d’explorer leur dimension cach\u00e9e qui en font des pi\u00e8ces uniques, intemporelles et essentielles.<\/strong> Apr\u00e8s la lettre J (comme Jarre)<\/a>, place \u00e0 la lettre K… comme Kouglof !<\/strong>

C\u2019est un g\u00e2teau de taille moyenne torsad\u00e9 dans sa hauteur, de couleur brune avec \u00e0 son sommet arrondi des amandes grill\u00e9es dispos\u00e9es entre chacune de ses cannelures.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Ses reliefs rappellent les alc\u00f4ves d\u2019une falaise, un petit volcan qu\u2019on regarderait d\u2019en haut avec son crat\u00e8re vide.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Le Kouglof est une brioche qui nous vient d\u2019Europe centrale, d’Autriche ou d\u2019Alsace. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Il existe autant de kouglofs que de couscous ou de tajines mais celui qui m’int\u00e9resse est celui-ci, moelleux, qui contient des raisins secs tremp\u00e9s dans le rhum. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Pourquoi cette forme ?<\/strong> La l\u00e9gende raconte que le premier Kouflof fut moul\u00e9 dans un des chapeaux des Rois mages mais une autre hypoth\u00e8se est que cette forme permet une texture et une cuisson homog\u00e8ne.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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La texture est tr\u00e8s importante. Pour qu’elle soit parfaite, ni trop cuite ni pas assez, il a fallu r\u00e9partir la p\u00e2te \u00e0 \u00e9paisseur quasi constante. C\u2019est la raison premi\u00e8re des cannelures et du crat\u00e8re central. On retrouve le m\u00eame principe pour la plupart des moulages de mati\u00e8re comme la terre, l’aluminium ou le plastique. Si les variations d’\u00e9paisseur sont trop fortes alors on a des soucis : retassures, retraits, craquelures, cuisson de p\u00e2tes h\u00e9t\u00e9rog\u00e8ne. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Pour accomplir cela, il a fallu cr\u00e9er des moules sp\u00e9cifiques et les Alsaciens ont puis\u00e9 dans leur sol. \u00c0 Soufflenheim, la terre locale leur a permis de faire des c\u00e9ramiques \u00e9paisses qui r\u00e9sistent \u00e0 la chaleur contrairement \u00e0 celle de Betschdorf plut\u00f4t destin\u00e9e au froid et \u00e0 l\u2019acide.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Une fois retourn\u00e9 t\u00eate en bas, le moule est rempli de p\u00e2te sur les amandes pr\u00e9alablement dispos\u00e9es dans les concavit\u00e9s du sommeil. Lorsque le petit ventre replet du g\u00e2teau appara\u00eetra alors il sera pr\u00eat \u00e0 enfourner.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Les moules en terre cuite sont vernis \u00e0 l’int\u00e9rieur pour faciliter le d\u00e9moulage et leurs cannelures se transforment parfois en reliefs g\u00e9om\u00e9triques, et en ligne verticales ou torsad\u00e9es. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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\u00c0 l\u2019\u00e9poque, en Alsace, on fait le kouglof dans les familles et pour le cuire, le boulanger du village pr\u00eate son four aux habitants. Pour s’y retrouver il pouvait mettre un petit papier roul\u00e9 avec le nom de la personne gliss\u00e9 dans le trou en haut du crat\u00e8re ou reconna\u00eetre le propri\u00e9taire \u00e0 la forme de son moule. <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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En ajoutant les variations de motifs \u00e0 celles des formes, le moule est devenu un objet de d\u00e9coration mais aussi un \u00e9l\u00e9ment de personnalisation.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>\n\n

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Le kouglof fait partie des quelques objets alimentaires dont la forme est unique. On peut citer les onigiris, les Cannel\u00e9s (similaire), l’hamburger ou la Madeleine. Cette symbiose entre contraintes et plaisir est d’un tel accomplissement qu\u2019elle fait du Kouglof un g\u00e2teau remarquable. Sa complexit\u00e9 qui rappelle les colonnes doriques grecques est un hommage \u00e0 la beaut\u00e9 des choses qui ne durent pas.<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n <\/section>","protected":false},"excerpt":{"rendered":"

Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. Selon lui, au-del\u00e0 des modes et des statuts, ils embellissent la fonction, rythment notre histoire et l\u2019\u00e9volution de nos besoins. A travers cette s\u00e9lection subjective, sous la forme d\u2019un ab\u00e9c\u00e9daire, Patrick a la volont\u00e9 d’explorer […]<\/p>\n","protected":false},"author":30,"featured_media":8729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[995,1187],"tags":[1197],"class_list":["post-8718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bien-etre","category-contempler_le_beau","tag-design"],"acf":[],"yoast_head":"\nLa Beaut\u00e9 des Objets : K comme Kouglof<\/title>\n<meta name=\"description\" content=\"Pour \u00e9voquer la Beaut\u00e9, Patrick Jouffret, designer fran\u00e7ais, a choisi de parler d\u2019objets cr\u00e9\u00e9s par l\u2019humain pour accomplir ses r\u00eaves. 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Cette recherche passe par le travail de la mati\u00e8re et par des solutions innovantes qu\u2019il met au point pour faire perdurer l\u2019histoire des marques avec qui il choisit de travailler. Ces projets pens\u00e9s dans leur ensemble, prennent en compte l\u2019histoire qui se cache derri\u00e8re les marques et les personnes qui les font vivre, tout en gardant en t\u00eate les contraintes industrielles, cr\u00e9ant ainsi une recherche de l\u2019excellence. Que ce soit un v\u00e9lo pour les Jeux Olympiques, une cage oc\u00e9anographique qui descend \u00e0 4000m de profondeur, ou du mobilier, il donne a chacun de ces projets une importance essentielle et cr\u00e9\u00e9 ainsi des objets justes, fonctionnels, p\u00e9rennes et intemporels. Aujourd\u2019hui install\u00e9 \u00e0 Toulon, Patrick Jouffret et son \u00e9quipe collaborent avec des entreprises aux secteurs d\u2019activit\u00e9s tr\u00e8s vari\u00e9s et re\u00e7oivent r\u00e9guli\u00e8rement des r\u00e9compenses pour leurs cr\u00e9ations. Retrouvez la Beauty Interview de Patrick juste ici Partick Jouffert is a French designer born in Nancy (France) in 1972. He founded Atelier 360 in 2006. Through design, he wants to create objects that free the mind. This wish goes through the work of material and finding innovative solutions that he develops in order to perpetuate the history of the brands which he chooses to work with. Those projects thought as a whole, consider the history behind brands and the people who bring them to life while keeping the industrial constraints in mind, creating a real quest of excellence. 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